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In the follow-up to One-Shot Harry, fearless crime photographer and occasional private eye Harry Ingram finds himself in the LAPD's crosshairs after capturing damning evidence of police brutality. An atmospheric dive into a city on the brink that's brimming with remarkable historical detail, Ash Dark as Night is perfect for fans of Walter Mosley and James Ellroy. Los Angeles, August 1965. Anger and pent-up frustrations boil over in the Watts neighborhood after a traffic stop of two Black motorists. As the Watts riots explode, crime photographer Harry Ingram snaps photos at the scene, including images of the police as they unleash batons, dogs, and water hoses on civilians. When he captures the image of an unarmed activist being shot down by the cops, he winds up in the hospital, beaten, his camera missing. Proof of the unjust killing seems lost—until Ingram's girlfriend, Anita Claire, retrieves the hidden film in a daring rescue. The photo makes front-page news. A recuperating Ingram is approached by Betty Payton, a comrade of Anita's mother, who wants Ingram's help tracking down her business associate Moses "Mose" Tolbert, last seen during the riots. Ingram follows the investigation down a rabbit hole of burglary rings, bank robberies, looted cash, and clandestine agendas—all the while grappling with his newfound fame, which puts him in the sightlines of LAPD's secretive intelligence division. Ash Dark as Night is a nail-biting ride-along through midcentury Los Angeles with a crime fiction legend in the driver's seat.
In the follow-up to One-Shot Harry, fearless crime photographer and occasional private eye Harry Ingram finds himself in the LAPD's crosshairs after capturing damning evidence of police brutality. An atmospheric dive into a city on the brink that's brimming with remarkable historical detail, Ash Dark as Night is perfect for fans of Walter Mosley and James Ellroy. Los Angeles, August 1965. Anger and pent-up frustrations boil over in the Watts neighborhood after a traffic stop of two Black motorists. As the Watts riots explode, crime photographer Harry Ingram snaps photos at the scene, including images of the police as they unleash batons, dogs, and water hoses on civilians. When he captures the image of an unarmed activist being shot down by the cops, he winds up in the hospital, beaten, his camera missing. Proof of the unjust killing seems lost—until Ingram's girlfriend, Anita Claire, retrieves the hidden film in a daring rescue. The photo makes front-page news. A recuperating Ingram is approached by Betty Payton, a comrade of Anita's mother, who wants Ingram's help tracking down her business associate Moses "Mose" Tolbert, last seen during the riots. Ingram follows the investigation down a rabbit hole of burglary rings, bank robberies, looted cash, and clandestine agendas—all the while grappling with his newfound fame, which puts him in the sightlines of LAPD's secretive intelligence division. Ash Dark as Night is a nail-biting ride-along through midcentury Los Angeles with a crime fiction legend in the driver's seat.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
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Starred review from February 12, 2024 The times, they are a-changing in Phillips’s outstanding sequel to One-Shot Harry. It’s August 1965: Vietnam is heating up; the civil rights movement is marching forward. Escalating tensions between the police and Black Americans have boiled over most recently in the Watts Riots. Black photographer Harry Ingram is in Los Angeles to document the unrest and winds up capturing the police shooting of unarmed activist Faraday Zinum. The widely reproduced photo brings Harry newfound fame, as well as the unwelcome attention of LAPD chief William Parker and his intelligence division. Meanwhile, an acquaintance hires Harry to look into the disappearance of her business associate Moses Tolbert, who ran a building company in the Watts neighborhood and vanished during the riots. As Harry investigates, stumbling into citywide conspiracies along the way, he finds that he has a natural aptitude for the work, and ponders the possibility of becoming a private detective full-time. Phillips folds real historical figures, including TV journalist Louis Lomax, and events into a complex narrative of shifting alliances that captures the urgency and volatility of the mid-’60s. The results rank with the best of Walter Mosley in the canon of Los Angeles noir. Agent: David Hale Smith, InkWell Management.
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