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The Trespasser
Cover of The Trespasser
The Trespasser
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The New York Times bestselling novel by Tana French, author of the forthcoming novel The Hunter, is “required reading for anyone who appreciates tough, unflinching intelligence and ingenious plotting” (The New York Times). She “inspires cultic devotion in readers” (The New Yorker) and is “the most important crime novelist to emerge in the past 10 years” (The Washington Post).
“Atmospheric and unputdownable.” —People 

In bestselling author Tana French’s newest “tour de force” (The New York Times), being on the Murder Squad is nothing like Detective Antoinette Conway dreamed it would be. Her partner, Stephen Moran, is the only person who seems glad she’s there. The rest of her working life is a stream of thankless cases, vicious pranks, and harassment. Antoinette is savagely tough, but she’s getting close to the breaking point. 
 
Their new case looks like yet another by-the-numbers lovers’ quarrel gone bad. Aislinn Murray is blond, pretty, groomed-to-a-shine, and dead in her catalog-perfect living room, next to a table set for a romantic dinner. There’s nothing unusual about her—except that Antoinette’s seen her somewhere before.
 
And that her death won’t stay in its neat by-numbers box. Other detectives are trying to push Antoinette and Steve into arresting Aislinn’s boyfriend, fast. There’s a shadowy figure at the end of Antoinetteʼs road. Aislinnʼs friend is hinting that she knew Aislinn was in danger. And everything they find out about Aislinn takes her further from the glossy, passive doll she seemed to be.
 
Antoinette knows the harassment has turned her paranoid, but she can’t tell just how far gone she is. Is this case another step in the campaign to force her off the squad, or are there darker currents flowing beneath its polished surface?
The New York Times bestselling novel by Tana French, author of the forthcoming novel The Hunter, is “required reading for anyone who appreciates tough, unflinching intelligence and ingenious plotting” (The New York Times). She “inspires cultic devotion in readers” (The New Yorker) and is “the most important crime novelist to emerge in the past 10 years” (The Washington Post).
“Atmospheric and unputdownable.” —People 

In bestselling author Tana French’s newest “tour de force” (The New York Times), being on the Murder Squad is nothing like Detective Antoinette Conway dreamed it would be. Her partner, Stephen Moran, is the only person who seems glad she’s there. The rest of her working life is a stream of thankless cases, vicious pranks, and harassment. Antoinette is savagely tough, but she’s getting close to the breaking point. 
 
Their new case looks like yet another by-the-numbers lovers’ quarrel gone bad. Aislinn Murray is blond, pretty, groomed-to-a-shine, and dead in her catalog-perfect living room, next to a table set for a romantic dinner. There’s nothing unusual about her—except that Antoinette’s seen her somewhere before.
 
And that her death won’t stay in its neat by-numbers box. Other detectives are trying to push Antoinette and Steve into arresting Aislinn’s boyfriend, fast. There’s a shadowy figure at the end of Antoinetteʼs road. Aislinnʼs friend is hinting that she knew Aislinn was in danger. And everything they find out about Aislinn takes her further from the glossy, passive doll she seemed to be.
 
Antoinette knows the harassment has turned her paranoid, but she can’t tell just how far gone she is. Is this case another step in the campaign to force her off the squad, or are there darker currents flowing beneath its polished surface?
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Excerpts-
  • From the book ***This excerpt is from an advance uncorrected copy proof***

    Copyright © 2016 Tana French

    The case comes in, or anyway it comes in to us, on a frozen dawn in the kind of closed-down January that makes you think the sun’s never going to drag itself back above the horizon. Me and my partner are finishing up another night shift, the kind I used to think wouldn’t exist on the Murder Squad: a massive scoop of boring and a bigger one of stupid, topped off with an avalanche of paperwork. Two scumbags decided to round off their Saturday night out by using another scumbag’s head as a dance mat, for reasons that are clear to no one including them; we turned up six witnesses, every one of whom was banjoed drunk, every one of whom told a different story from the other five, and every one of whom wanted us to forget the murder case and investigate why he had been thrown out of the pub / sold bad skunk / ditched by his girlfriend. By the time Witness Number 6 ordered me to find out why the dole had cut him off, I was ready to tell him it was because he was too stupid to legally qualify as a human being and kick all their arses out onto the street, but my partner does patience better than I do, which is one of the main reasons I keep him around. We eventually managed to get four of the witness statements matching not only each other but the evidence, meaning now we can charge one of the scumbags with murder and the other one with assault, which presumably means we’ve saved the world from evil in some way that I can’t be arsed figuring out.

    We’ve signed over the scumbags for processing and we’re typing up our reports, making sure they’ll be on the gaffer’s desk all nice and tidy when he comes in. Across from me Steve is whistling, which out of most people would make me want to do damage, but he’s doing it right: some old trad tune that I quarter-remember from singsongs when I was a kid, low and absent and contented, breaking off when he needs to concentrate and coming back with easy trills and flourishes when the report starts going right again.

    Him, and the whispery hum of the computers, and the winter wind idling around the windows: just those, and silence. Murder works out of the grounds of Dublin Castle, smack in the heart of town, but our building is tucked away a few corners from the fancy stuff the tourists come to see, and our walls are thick; even the early-morning traffic out on Dame Street only makes it through to us as a soft undemanding hum. The jumbles of paper- work and photos and scribbled notes left on people’s desks look like they’re charging up, thrumming with action waiting to happen. Outside the tall sash windows the night is thinning towards a chilled gray; the room smells of coffee and hot radiators. At that hour, if I could overlook all the ways the night shift blows, I could love the squad room.

    Me and Steve know all the official reasons we get loaded down with night shifts. We’re both single, no wives or husbands or kids waiting at home; we’re the youngest on the squad, we can take the fatigue better than the guys looking at retirement; we’re the newbies—even me, two years in—so suck it up, bitches. Which we do. This isn’t uniform, where if your boss is a big bad meanie you can put in a request for reassignment. There’s no other Murder Squad to transfer to; this is the one and only. If you want it, and both of us do, you take whatever it throws at you.

    Some people actually work in the Murder Squad I set my sights on, way back when: the one where you spend your day playing knife-edge mind games with...

Reviews-
  • Publisher's Weekly

    August 29, 2016
    Det. Antoinette Conway takes center stage in Edgar-winner French’s sharp but shakily paced sixth Dublin Murder Squad novel (after 2014’s The Secret Place). When Aislinn Murray, a young woman just coming into her own, is found in her picture-perfect apartment with the back of her head smashed in, the killer appears to be her new boyfriend, Rory Fallon, who was due to come over for dinner the evening of her murder. But that’s too easy for the suspicious Conway, whose hackles are raised when a more experienced detective takes an interest in the case and wants Rory charged. In several tense interrogation scenes, Rory’s sweat practically drips off the page, and it’s obvious why Conway, the only woman on the squad, is so good at her job. French is less adept than usual, however, in weaving in her main characters’ backstories. The underlying themes of loyalty and how far one should go to protect a person are what makes this entry worthy of French’s prodigious talents, though Conway isn’t her best conduit. Agent: Darley Anderson, Darley Anderson Literary, TV & Film Agency.

  • Kirkus

    August 1, 2016
    A sheltered young woman comes out of her cocoonand her transformation ends with murder.In the sixth Dublin Murder Squad novel, the unfolding of a murder case is seen through the eyes of Detective Antoinette Conway, a character we got to know first through her now-partner, Steve Moran, in The Secret Place (2014). But while her mysteriously hard-to-crack exterior was compelling from Moran's perspective, her internal monologue proves less so. Here, she comes across as much younger and less in control. And Moran and his goofy smile are just along for the ride as Conway heads up an investigation of the murder of 26-year-old Aislinn Murray, found dead in her meticulous home from a punch to the face and a smack on the fireplace hearth. It starts off looking like a regular lovers' tiff when the victim's texts reveal she had a date scheduled for that night with Rory Fallon, a smitten, daydreaming kind of guy. Conway thinks he should be easy to crack, but he swears it was someone elseAislinn had a way about her that really made men obsessed. But she wasn't always that way, as her friend Lucy reveals. Her transformation into a heartbreaker was new, and it had purpose. As the two detectives start looking at other options"Lover Boy is changing, in my mind"the investigation is impeded by their own murder squad. But why? It's not just because the guys think Conway has a stick up you know where. Respect is owed to French for making her interrogation scenes good enough to really spike your blood pressure, but the magic of previous installments is missing.

    COPYRIGHT(2016) Kirkus Reviews, ALL RIGHTS RESERVED.

  • Publisher's Weekly

    Starred review from December 5, 2016
    In the sixth entry of French’s Dublin Murder Squad series, Detectives Steve Moran and Antoinette Conway investigate the death of a young woman fatally battered in her apartment. Whereas 2014’s The Secret Place was told from Steve’s perspective, the events this time around are described by Antoinette. Both the procedural progress and the narrative attitude seem edgier, faster paced, and fueled by more tension. But the warts-and-all portrait of Antoinette is at the heart of the novel, and reader Fay’s ability to mix the natural lyric quality of her Irish brogue with Antoinette’s working class, chip-on-shoulder hostility makes for a fully sustained, award-worthy performance. A Viking hardcover.

  • Library Journal

    August 1, 2016

    Antoinette Conway, who played a supporting role in French's previous Dublin Murder Squad novel, The Secret Place, moves into the limelight here. She and that book's protagonist, Stephen Moran, are partnered and working well together, but they're consistently assigned the worst cases, and she's having trouble with the rest of the squad (crucial pages somehow go missing from her reports or her cell phone is dropped in coffee when she steps away from her desk), and she's considering taking a friend's offer of a cushy job traveling the world guarding Saudi princesses. When Conway realizes she'd previously met the victim of an apparently straightforward domestic murder, the case zigs and zags in unexpected and dangerous directions with local gangs, possibly corrupt cops, and a mild-mannered bookstore owner all playing a part. French's interconnected first-person novels easily stand alone, but consuming them in order gives readers the pleasure of seeing characters they've come to know through others' eyes. VERDICT Expect high demand driven by fans of the author and readers who crave tightly plotted, character-driven crime fiction. [See Prepub Alert, 4/25/16; academic & library marketing.]--Stephanie Klose, Library Journal

    Copyright 2016 Library Journal, LLC Used with permission.

  • Library Journal

    May 15, 2016

    Det. Antoinette Conway is thrilled to be on the murder squad, not so thrilled by the harassment, and really puzzled why the other detectives are pushing her and partner Stephen Moran to rush in and charge the boyfriend of impeccable blonde Aislinn Murray with her murder. A new look at the New York Times best-selling author's tough-guy Dublin Murder Squad.

    Copyright 2016 Library Journal, LLC Used with permission.

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