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The Evening and the Morning
Cover of The Evening and the Morning
The Evening and the Morning
A Novel
Borrow Borrow
#1 New York Times Bestseller
An Amazon Best Book of 2020

 
The thrilling and addictive prequel to The Pillars of the Earth—set in England at the dawn of a new era: the Middle Ages
"Just as transporting as [The Pillars of the Earth] . . . A most welcome addition to the Kingsbridge series." —The Washington Post
It is 997 CE, the end of the Dark Ages. England is facing attacks from the Welsh in the west and the Vikings in the east. Those in power bend justice according to their will, regardless of ordinary people and often in conflict with the king. Without a clear rule of law, chaos reigns.
In these turbulent times, three characters find their lives intertwined. A young boatbuilder's life is turned upside down when his home is raided by Vikings, forcing him and his family to move and start their lives anew in a small hamlet where he does not fit in. . . . A Norman noblewoman marries for love, following her husband across the sea to a new land, but the customs of her husband's homeland are shockingly different, and it soon becomes clear to her that a single misstep could be catastrophic. . . . A monk dreams of transforming his humble abbey into a center of learning that will be admired throughout Europe. And each in turn comes into dangerous conflict with a clever and ruthless bishop who will do anything to increase his wealth and power.
Thirty years ago, Ken Follett published his most popular novel, The Pillars of the Earth. Now, Follett's masterful new prequel The Evening and the Morning takes us on an epic journey into a historical past rich with ambition and rivalry, death and birth, love and hate, that will end where The Pillars of the Earth begins.
#1 New York Times Bestseller
An Amazon Best Book of 2020

 
The thrilling and addictive prequel to The Pillars of the Earth—set in England at the dawn of a new era: the Middle Ages
"Just as transporting as [The Pillars of the Earth] . . . A most welcome addition to the Kingsbridge series." —The Washington Post
It is 997 CE, the end of the Dark Ages. England is facing attacks from the Welsh in the west and the Vikings in the east. Those in power bend justice according to their will, regardless of ordinary people and often in conflict with the king. Without a clear rule of law, chaos reigns.
In these turbulent times, three characters find their lives intertwined. A young boatbuilder's life is turned upside down when his home is raided by Vikings, forcing him and his family to move and start their lives anew in a small hamlet where he does not fit in. . . . A Norman noblewoman marries for love, following her husband across the sea to a new land, but the customs of her husband's homeland are shockingly different, and it soon becomes clear to her that a single misstep could be catastrophic. . . . A monk dreams of transforming his humble abbey into a center of learning that will be admired throughout Europe. And each in turn comes into dangerous conflict with a clever and ruthless bishop who will do anything to increase his wealth and power.
Thirty years ago, Ken Follett published his most popular novel, The Pillars of the Earth. Now, Follett's masterful new prequel The Evening and the Morning takes us on an epic journey into a historical past rich with ambition and rivalry, death and birth, love and hate, that will end where The Pillars of the Earth begins.
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  • From the book

    Chapter 1

     

    Thursday, June 17, 997

     

    It was hard to stay awake all night, Edgar found, even on the most important night of your life.

     

    He had spread his cloak over the reeds on the floor and now he lay on it, dressed in the knee-length brown wool tunic that was all he wore in summer, day and night. In winter he would wrap the cloak around him and lie near the fire. But now the weather was warm: Midsummer Day was a week away.

     

    Edgar always knew dates. Most people had to ask priests, who kept calendars. Edgar's elder brother Erman had once said to him: "How come you know when Easter is?" and he had replied: "Because it's the first Sunday after the first full moon after the twenty-first day of March, obviously." It had been a mistake to add "obviously," because Erman had punched him in the stomach for being sarcastic. That had been years ago, when Edgar was small. He was grown now. He would be eighteen three days after Midsummer. His brothers no longer punched him.

     

    He shook his head. Random thoughts sent him drifting off. He tried to make himself uncomfortable, lying on his fist to stay awake.

     

    He wondered how much longer he had to wait.

     

    He turned his head and looked around by firelight. His home was like almost every other house in the town of Combe: oak-plank walls, a thatched roof, and an earth floor partly covered with reeds from the banks of the nearby river. It had no windows. In the middle of the single room was a square of stones surrounding the hearth. Over the fire stood an iron tripod from which cooking pots could be hung, and its legs made spidery shadows on the underside of the roof. All around the walls were wooden pegs on which were hung clothes, cooking utensils, and boatbuilding tools.

     

    Edgar was not sure how much of the night had passed, because he might have dozed off, perhaps more than once. Earlier, he had listened to the sounds of the town settling for the night: a couple of drunks singing an obscene ditty, the bitter accusations of a marital quarrel in a neighboring house, a door slamming and a dog barking and, somewhere nearby, a woman sobbing. But now there was nothing but the soft lullaby of waves on a sheltered beach. He stared in the direction of the door, looking for telltale lines of light around its edges, and saw only darkness. That meant either that the moon had set, so the night was well advanced, or that the sky was cloudy, which would tell him nothing.

     

    The rest of his family lay around the room, close to the walls where there was less smoke. Pa and Ma were back-to-back. Sometimes they would wake in the middle of the night and embrace, whispering and moving together, until they fell back, panting; but they were fast asleep now, Pa snoring. Erman, the eldest brother at twenty, lay near Edgar, and Eadbald, the middle one, was in the corner. Edgar could hear their steady, untroubled breathing.

     

    At last, the church bell struck.

     

    There was a monastery on the far side of the town. The monks had a way of measuring the hours of the night: they made big, graduated candles that told the time as they burned down. One hour before dawn they would ring the bell, then get up to chant their service of Matins.

     

    Edgar lay still a little longer. The bell might have disturbed Ma, who woke easily. He gave her time to sink back into deep slumber. Then, at last, he got to his feet.

     

    Silently he picked up his cloak, his shoes, and his belt with its sheathed dagger attached. On bare feet he crossed the room, avoiding the furniture: a...

Reviews-
  • Publisher's Weekly

    June 29, 2020
    Follett delivers a lackluster prequel to his Kingsbridge series. The structure will feel familiar to series devotees; it centers on the intertwined stories of three people: a man who is good with his hands, an attractive noblewoman, and a cleric. This time, the action spans 997–1007 CE, and the leads are Edgar, Ragna, and Aldred, whose lives intersect multiple times despite their disparate backgrounds. Edgar, the teenage son of a boatbuilder, is planning to run off with a married woman until a Viking attack on his village in the west of England leaves her dead; that tragedy leads to his family’s move to Dreng’s Ferry, the future Kingsbridge, and to his developing career as a builder. At Dreng’s Ferry, he reunites with Ragna, a Norman woman he’d met years earlier, who has married Wilf, the royal official overseeing the area. Ragna, smart, independent, and beautiful, is trapped in an unfulfilling marriage. The “miraculously handsome” Brother Aldred, a scholar, finds himself confronted with corruption in the church, personified in Wilf’s cartoonishly evil brother, Wynstan, a bishop. The prose is often stilted and overwrought (“This was the funeral of his hopes”), and the plot elements are derivative of Follett’s past work, adding up to an epic full of romance tropes rather than a reimagined time and place. This is only for series completists.

  • Library Journal

    August 1, 2020

    It's still the Dark Ages in 997 CE, England, where a young man, Edgar, steals away from his house to flee with his love, Sunni. But the Vikings attack and Sunni is killed; so are his mother and father. Edgar's livelihood--boatmaking--is gone, too. Ragna is an aristocrat, daughter of the Norman count of Cherbourg. Her father's plans for her are upended when she meets an English thane, Wilf, and sparks fly. Soon Ragna is in England and married to Wilf, all she had hoped for. But life doesn't proceed as she'd expected. Wilf's family proves to be her enemy, and her hold over him isn't as absolute as she'd thought. The Vikings attack again, and Wilf returns from battle an invalid, his wits addled. The vultures gather. During these times, Ragna and Edgar cross paths several times. Their feelings for each other grow, but Edgar's a commoner and Ragna's a noblewoman and married. It takes 10 years, during which calamity after calamity rolls over them, before there is any possibility for them to be together. VERDICT Follett has done it again. Readers will gobble up this exciting prequel to his 1989 classic, The Pillars of the Earth.--David Keymer, Cleveland

    Copyright 2020 Library Journal, LLC Used with permission.

  • Booklist

    August 1, 2020
    Three decades after Follett launched his best-selling Kingsbridge series with The Pillars of the Earth, he presents a sequel tracing the fictional city's origins as the bedraggled settlement of Dreng's Ferry. Dispossessed by Viking raiders of both his home and the woman he loves, Edgar ends up working for the despicable Dreng as a ferryman. Edgar is a builder, with a mind and skills that soon set him apart. Meanwhile, Ragna, a young Norman noblewoman, falls for ealdorman (a shire's chief officer) Wilwulf, member of a powerful Anglo-Saxon family that holds Dreng's Ferry as part of its domains. Thanks to Wilwulf's amoral half-brother, Bishop Wynstan, life in England is not what Ragna anticipated, and neither hers nor Edgar's lives take the paths they had envisioned. Follett's choice of language and explication accommodate an audience unfamiliar with the period, painting a large canvas with broad Dark Ages strokes. Violence, rape, slavery, romance, power plays, and human striving all combine into Follett's absorbing and lengthy saga of life in a chaotic and unstable England on the cusp of the Middle Ages.HIGH-DEMAND BACKSTORY: Fans of Follett's ever-popular Kingsbridge series, bolstered by an Oprah Book Club pick and a TV series, will flock to this well-publicized prequel, while intrigued newcomers can start here. Refresh holdings of the three earlier titles.(Reprinted with permission of Booklist, copyright 2020, American Library Association.)

  • Kirkus

    Starred review from July 15, 2020
    Murder, sex, and unholy ambition threaten to overwhelm the glimmers of light in Dark Ages England in this prequel to The Pillars of the Earth (1989). A Viking raid in 997 C.E. kills Edgar's one true love, Sungifu, and he vows never to love another--but come on, he's only 18. The young man is a talented builder who has strong personal values. Weighing the consequences of helping a slave escape, he muses, "Perhaps there were principles more important than the rule of law." Meanwhile, Lady Ragna is a beautiful French noblewoman who comes to Shiring, marries the local ealdorman, Wilwulf, and starts a family. Much of the action takes place in Dreng's Ferry, a tiny hamlet with "half a dozen houses and a church." Dreng is a venal, vicious ferryman who hurls his slave's newborn child into a river and is only one of several characters whose death readers will eagerly root for. Bishop Wynstan lusts to become an archbishop and will crush anyone who stands in his way. He clashes with Ragna as she announces she is lord of the Vale of Outhen. "Wait!" he says to the people, "Are you going to be ruled by a mere woman?" (Wynstan's fate is delicious.) Aldred is a kindly monk who harbors an unrequited love for Edgar, who in turn loves Ragna but knows it's hopeless: Although widowed after Wilwulf's sudden death, she remains above Edgar's station. There are plenty of other colorful people in this richly told, complex story: slaves, rapists, fornicators, nobles, murderers, kind and decent people, and men of the cloth with "Whore's Leprosy." The plot at its core, though, is boy meets girl--OK, Edgar meets Ragna--and a whole lot of trouble stands in the way of their happiness. They are attractive and sympathetic protagonists, and more's the pity they're stuck in the 11th century. Readers may guess the ending well before Page 900--yes, it's that long--but Follett is a powerful storyteller who will hold their attention anyway. Follett's fans will enjoy this jaunt through the days before England was merry.

    COPYRIGHT(2020) Kirkus Reviews, ALL RIGHTS RESERVED.

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