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All the Colors of the Dark
Cover of All the Colors of the Dark
All the Colors of the Dark
NEW YORK TIMES BESTSELLER • From the author of We Begin at the End comes a soaring thriller and an epic love story that “hits like a sledgehammer . . . an absolutely must-read novel” (Gillian Flynn, author of Gone Girl).
Read with Jenna Book Club Pick as Featured on Today
The Boston Globe’s #1 Thriller/Mystery of 2024 So Far
A Kirkus Reviews Best Book of the Year

One of The Washington Post’s Best Books of Summer
“Kept me frantically turning the pages and somehow made me cry at the end . . . Brava!”—Kristin Hannah, author of The Women
“Melds tense suspense with a powerful exploration of devotion, obsession, and love.”—People (Best New Books)

1975 is a time of change in America. The Vietnam War is ending. Muhammad Ali is fighting Joe Frazier. And in the smalltown of Monta Clare, Missouri, girls are disappearing.
When the daughter of a wealthy family is targeted, the most unlikely hero emerges—Patch, a local boy, who saves the girl, and, in doing so, leaves heartache in his wake.
Patch and those who love him soon discover that the line between triumph and tragedy has never been finer. And that their search for answers will lead them to truths that could mean losing one another.
A missing person mystery, a serial killer thriller, a love story, a unique twist on each, Chris Whitaker has written a novel about what lurks in the shadows of obsession and the blinding light of hope.
NEW YORK TIMES BESTSELLER • From the author of We Begin at the End comes a soaring thriller and an epic love story that “hits like a sledgehammer . . . an absolutely must-read novel” (Gillian Flynn, author of Gone Girl).
Read with Jenna Book Club Pick as Featured on Today
The Boston Globe’s #1 Thriller/Mystery of 2024 So Far
A Kirkus Reviews Best Book of the Year

One of The Washington Post’s Best Books of Summer
“Kept me frantically turning the pages and somehow made me cry at the end . . . Brava!”—Kristin Hannah, author of The Women
“Melds tense suspense with a powerful exploration of devotion, obsession, and love.”—People (Best New Books)

1975 is a time of change in America. The Vietnam War is ending. Muhammad Ali is fighting Joe Frazier. And in the smalltown of Monta Clare, Missouri, girls are disappearing.
When the daughter of a wealthy family is targeted, the most unlikely hero emerges—Patch, a local boy, who saves the girl, and, in doing so, leaves heartache in his wake.
Patch and those who love him soon discover that the line between triumph and tragedy has never been finer. And that their search for answers will lead them to truths that could mean losing one another.
A missing person mystery, a serial killer thriller, a love story, a unique twist on each, Chris Whitaker has written a novel about what lurks in the shadows of obsession and the blinding light of hope.
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  • From the cover 1

    From the flat roof of the kitchen Patch looked out through serried pin oaks and white pine to the loom of St. Francois Mountains that pressed the small town of Monta Clare into its shade no matter the season. At thirteen he believed entirely that there was gold beyond the Ozark Plateau. That there was a brighter world just waiting for him.

    Though later that morning, when he lay dying in the woodland, he’d take that morning still and purse it till the colors ran because he knew it could not have been so beautiful. That nothing was ever so beautiful in his life.

    He climbed back into his bedroom and wore a tricorne and waistcoat and tucked navy slacks into his socks and fanned the knees until they resembled breeches. Into his belt he slid a small dagger, metal alloy but the bladesmith was skilled enough.

    Later that day the cops would crawl over the intricacies of his life and discover he was into pirates because he had been born with only one eye, and his mother peddled the romance of a cutlass and eye patch because often for kids like him the flair of fiction dulled a reality too severe.

    In his bedroom they would note the black flag pinned to hide a hole in the drywall, the closet with no doors, the fan that did not work, and the Steepletone that did. The antique treasure chest his mother had found at a flea market in St. Louis, doubloon movie props, a replica one-shot flintlock pistol. They would bag a roll of firecrackers and the June 1965 Playboy, like they were evidence of something.

    And then they would see the eye patches.

    He looked them over carefully, then selected the purple with the silver star. His mother made them and some of them itched, but the purple was satin smooth. Eighteen in total, only one carried the skull and crossbones. He decided he might wear that one on his wedding day should he ever work up the courage to speak to Misty Meyer.

    He removed the hat. His hair touched white in summer months and sand come winter, and he combed it but a tuft by the crown stood to attention like an antenna.

    In the kitchen his mother sat. The night shift mortified her skin.

    “You picking up signals with that thing?” she said, and tried to fix his hair with her palm. “Pass me the Crisco.”

    He ducked away as she laughed. Patch liked his mother’s laugh.

    The weekend before she’d taken him to Branson to see about a job. Ivy Macauley chased near misses like acceptance of place was the greatest sin. He’d fill up the Fairlane with just enough gas and she’d fill up the cab with excitement, fixing her hair into a Fonda shag and squeezing his hand and telling him this was it. He’d wait the interview hour alone in towns he did not know.

    She’d fixed eggs, and he wondered just how tough it was to be a parent, and if at times all poor kids were some kind of well-intentioned regret.

    “Today will be the best day of my life,” he said.

    He said that often.

    Because he could not know what would come.


    2

    He heard the mailman and ran for the door in case there was another letter from the school, but she took the envelope from him and closed her eyes and kissed it. “It’s got a St. Louis postmark.”

    A month before, she’d interviewed at the botanical garden while Patch smiled at symmetrical families in the shade of Tower Grove House.

    He held his breath till the sag of her shoulders.

    Their Monta Clare rental was the kind of temporary already growing roots, the foundations knotting around his mother’s ankles no matter...
Reviews-
  • Publisher's Weekly

    Starred review from June 17, 2024
    In 1975 Missouri, 13-year-old orphan Saint Brown and her scruffy, eye patch–wearing classmate, Patch Macauley, are drawing closer by the day when Patch’s disappearance rips them apart—setting in motion this lyrical, decades-spanning outing from Whitaker (We Begin at the End), which is both a riveting serial killer thriller and a heartrending love story. Before tragedy, however, comes triumph: Patch strikes a man attempting to abduct local golden girl Misty Meyer—Patch’s secret crush—with a rock from his slingshot, allowing Misty to escape. By the time police arrive, however, the only trace of Patch is his bloodied T-shirt. The colder the investigation becomes, the stronger Saint’s resolve grows to find her friend, a task to which she applies both precocious deductive skills and ferocious tenacity—traits that will prove invaluable in her future with the FBI. Meanwhile, Patch withers away in an undisclosed location, growing obsessed with a young woman being held in captivity with him. When Saint and Patch finally do reunite, they’re both irrevocably changed. With deeply affecting characters and ambition to spare, Whitaker has conjured a dazzling epic that defies easy categorization. It’s astonishing. Agent: Jennifer Joel, CAA.

  • AudioFile Magazine Edoardo Ballerini is the perfect narrator for this multifaceted story, which revolves around Patch and Saint, two young teens who live in a Missouri town. Their friendship develops over the 25 years following Patch's kidnapping in 1975 and Saint's quest to find him. Ballerini's talent for characterization allows the principals to develop and age. He creates thoroughly believable protagonists while seamlessly introducing new characters as the story unfolds. His narration carefully reflects the variety of genres that are packed into the story. This is an entertaining murder mystery, an exploration of friendship, and a coming-of-age story. K.J.P. © AudioFile 2024, Portland, Maine
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All the Colors of the Dark
All the Colors of the Dark
Chris Whitaker
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