From the cover
A story isn’t what is. It’s what if? Fiction isn’t real life with the names changed. It’s an alternate reality to reflect the reader’s own world.
But what is a short story not? It’s not a condensation of a novel, or an unfinished one. It’s not Cliffs Notes to anything. It has its own shape and profile. It’s not the New York skyline; it’s a single church spire. Its end is much nearer its beginning, and so it can be overlooked.
The short story is much misunderstood. There are even aspiring writers who think they’ll start out writing short stories and work their way up to the big time: novels. It doesn’t work like that. A short story isn’t easier than a novel. It has so little space to make its mark that it requires the kind of self-mutilating editing most new writers aren’t capable of. It has less time to plead its case.
I hadn’t meant to be a short story writer.
BOOKS BY RICHARD PECK
NOVELS FOR YOUNG ADULTS
Don’t Look and It Won’t Hurt
Dreamland Lake
Through a Brief Darkness
Representing Super Doll
The Ghost Belonged to Me
Are You in the House Alone?
Ghosts I Have Been
Father Figure
Secrets of the Shopping Mall
Close Enough to Touch
The Dreadful Future of Blossom Culp
Remembering the Good Times
Blossom Culp and the Sleep of Death
Princess Ashley
Those Summer Girls I Never Met
Voices After Midnight
Unfinished Portrait of Jessica
Bel-Air Bambi and the Mall Rats
The Last Safe Place on Earth
Lost in Cyberspace
The Great Interactive Dream Machine
Strays Like Us
A Long Way from Chicago
A Year Down Yonder
Fair Weather
Invitations to the World
The River Between Us
Past Perfect, Present Tense
The Teacher’s Funeral: A Comedy in Three Parts
Here Lies the Librarian
NOVELS FOR ADULTS
Amanda/Miranda
London Holiday
New York Time
This Family of Women
PICTURE BOOK
Monster Night at Grandma’s House
NONFICTION
Anonymously Yours
Invitations to the World
New and Collected Stories by
Richard Peck
I acknowledge with thanks the editors who generously have included my work in their anthologies:
Lois Duncan
Lisa Rowe Fraustino
Donald R. Gallo
Michael Green
Johanna Hurwitz
Harry Mazer
M. Jerry Weiss and
Helen Weiss
I am grateful to Roger Sutton, who encouraged this collection.
CONTENTS
Introduction
A short story, like fiction of any length, is always about change. Even in a handful of pages, the characters can’t be the same people in the last paragraph whom we met in the first. If there’s no change, there’s no story, unless you write fiction for The New Yorker magazine.
A word writers use is “epiphany.” In ancient Greece the word described the miraculous appearance of a god or goddess. The Christian church uses the word with a capital E to define Twelfth Night, the moment when the Magi, the Three Kings, made the long-heralded discovery of the Christ child.
In fiction writing, the epiphany is a sudden breakthrough of understanding, of self-awareness. It’s that moment of change that changes every moment after....