In development as a feature film to be produced by Steven Spielberg • A Best Book of the Year of the Year so Far for 2024: The New York Times Book Review, Esquire, W Magazine, Bustle, LitHub
"Genius"—The Atlantic • "A masterpiece that will help redefine one of the classics of American literature, while also being a major achievement on its own."—Chicago Tribune • "A provocative, enlightening literary work of art."—The Boston Globe • "Everett’s most thrilling novel, but also his most soulful."—The New York Times
When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond.
While many narrative set pieces of Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light.
Brimming with the electrifying humor and lacerating observations that have made Everett a “literary icon” (Oprah Daily), and one of the most decorated writers of our lifetime, James is destined to be a major publishing event and a cornerstone of twenty-first century American literature.
In development as a feature film to be produced by Steven Spielberg • A Best Book of the Year of the Year so Far for 2024: The New York Times Book Review, Esquire, W Magazine, Bustle, LitHub
"Genius"—The Atlantic • "A masterpiece that will help redefine one of the classics of American literature, while also being a major achievement on its own."—Chicago Tribune • "A provocative, enlightening literary work of art."—The Boston Globe • "Everett’s most thrilling novel, but also his most soulful."—The New York Times
When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond.
While many narrative set pieces of Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light.
Brimming with the electrifying humor and lacerating observations that have made Everett a “literary icon” (Oprah Daily), and one of the most decorated writers of our lifetime, James is destined to be a major publishing event and a cornerstone of twenty-first century American literature.
Reviews-
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Starred review from December 4, 2023
As in his classic novel Erasure, Everett portrays in this ingenious retelling of The Adventures of Huckleberry Finn a Black man who’s mastered the art of minstrelsy to get what he needs from gullible white people. Many of the same things happen as they do in Twain’s original: Jim escapes from enslavement on a Missouri farm and joins up with Huck, a white boy who’s faked his own death. Huck is fleeing from his abusive father, while Jim is hoping to find a way to free his wife and daughter. The main difference is in the telling. Jim narrates, not Huck, and in so doing he reveals how he employs “slave” talk (“correct incorrect grammar”) when white people can hear, to make them feel safe and superior. Everett also pares down the prose and adds humor in place of sentimentality. When Huck and Jim come upon a band of slave hunters, Huck claims Jim, who’s covered by a tarp, is a white man infected with smallpox (“We keep thinkin’ he gone die, then he just don’t”). Clever additions to the narrative include a tense episode in which Jim is fraudulently sold by a slaver to “Dixie” composer Daniel Decatur Emmett, who has Jim perform in blackface with his singing troupe. Jim’s wrenching odyssey concludes with remarkable revelations, violent showdowns, and insightful meditations on literature and philosophy. Everett has outdone himself. -
Dominic Hoffman narrates this reimagining of ADVENTURES OF HUCKLEBERRY FINN, but this time Jim tells his own story. When Jim learns that he's going to be sold to someone downriver, he flees, leaving behind his wife and daughter. But he soon finds himself tangled up with Huckleberry Finn, a white boy who is always getting into the worst sorts of trouble. Jim is practiced at code-switching, changing his speech when he speaks to white people as a measure of protection. Hoffman's performance captures the varying tone of Jim's dialogue, highlighting the shifts in his vocabulary and rhythm. With its subtlety and attention to detail, Hoffman's narration reinforces Jim's character and narrative arcs as Jim takes back his agency in life. K.D.W. Winner of AudioFile Earphones Award © AudioFile 2024, Portland, Maine
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June 1, 2024
Everett's (The Trees) reimagining of Mark Twain's Adventures of Huckleberry Finn is expertly narrated by Dominic Hoffman, who offers a layered portrait of James's (as opposed to Twain's "Jim's") integrity and dimensionality. James's escape from the Missouri farm where he was enslaved is as much a journey away from a place as it is a path toward self-actualization. His growth is enacted through philosophical interludes and fleeting companionship, forging space for a fully fleshed out characterization that could not exist within the confines of Twain's work. James meets many friends and foes as he searches for a space and time where he and his loved ones are not constantly subjugated, beaten, and murdered. Hoffman's excellent voicework lays bare James's facility at code-switching, illuminating the instant fear forced upon Black people when in the presence of any white person, regardless of their class status. Everett's writing and Hoffman's narration combine to interrogate and activate James's quest for freedom, shifting him from Twain's sidelines into a heroic spotlight. VERDICT Winding, intriguing, and acute, this novel is less a retelling than a reinvestigation of Twain's classic, made possible by Everett's incisive prose and Hoffman's absorbing narration.--Kailyn Slater
Copyright 2024 Library Journal, LLC Used with permission.
