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In the fall of 1940, the Nazis are at the height of their power - France is occupied, Britian is enduring the Blitz and is under the threat of invasion, America is neutral, and Russia is in an uneasy alliance with Germany. Stephen Metcalfe, the younger son of a prominent American family, is a well-known man about town in occupied Paris. He's also a minor asset in the U.S.'s secret intelligence forces in Europe. Through a wild twist of fate, it falls to Metcalfe to instigate a bold plan that may be the only hope for what remains of the free world. Now he must travel to wartime Moscow to find, and possibly betray, a former love - a fiery ballerina whose own loyalties are in question - in a delicate dance that could destroy all he loves and honors.
In the fall of 1940, the Nazis are at the height of their power - France is occupied, Britian is enduring the Blitz and is under the threat of invasion, America is neutral, and Russia is in an uneasy alliance with Germany. Stephen Metcalfe, the younger son of a prominent American family, is a well-known man about town in occupied Paris. He's also a minor asset in the U.S.'s secret intelligence forces in Europe. Through a wild twist of fate, it falls to Metcalfe to instigate a bold plan that may be the only hope for what remains of the free world. Now he must travel to wartime Moscow to find, and possibly betray, a former love - a fiery ballerina whose own loyalties are in question - in a delicate dance that could destroy all he loves and honors.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Excerpts-
Chapter One
991
The sleek black limousine, with its polycarbonate-laminate bullet-resistant windows and its run-flat tires, its high-tech ceramic armor and dual-hardness carbon-steel armor plate, was jarringly out of place as it pulled into the Bittsevsky forest in the southwest area of the city. This was ancient terrain, forest primeval, densely overgrown with birch and aspen groves interspersed with pine trees, elms, and maples; it spoke of nomadic Stone Age tribes that roamed the glacier-scarred terrain, hunting mammoths with hand-carved javelins, amid nature red in tooth and claw. Whereas the armored Lincoln Continental spoke of another kind of civilization entirely with another sort of violence, an era of snipers and terrorists wielding submachine guns and fragmentation grenades.
Moscow was a city under siege. It was the capital of a superpower on the brink of collapse. A cabal of Communist hard-liners was preparing to take back Russia from the forces of reform. Tens of thousands of troops filled the city, ready to fire at its citizens. Columns of tanks and armored personnel carriers rumbled down Kutuzovsky Prospekt and the Minskoye Chausse. Tanks surrounded Moscow City Hall, TV broadcasting facilities, newspaper offices, the parliament building. The radio was broadcasting nothing but the decrees of the cabal, which called itself the State Committee for the State of Emergency. After years of progress toward democracy, the Soviet Union was on the verge of being retumed to the dark forces of totalitarianism.
Inside the limousine sat an elderly man, silver-haired, with handsome, aristocratic features. He was Ambassador Stephen Metcalfe, an icon of the American Establishment, an adviser to five Presidents since Franklin D. Roosevelt, an extremely wealthy man who had devoted his life to serving his government. Ambassador Metcalfe, though now retired, the title purely honorific, had been urgently summoned to Moscow by an old friend who was highly placed in the inner circles of Soviet power. He and his old friend had not met face-to-face for decades: their relationship was a deeply buried secret, known to no one in Moscow or Washington. That his Russian friend-code-named "Kurwenal"--insisted on a rendezvous in this deserted location was worrying, but these were worrying times.
Lost in thought, visibly nervous, the old man got out of his limousine only once he glimpsed the figure of his friend, the three-star general, limping heavily on a prosthetic leg. The American's seasoned eyes scanned the forest as he began to walk, and then his blood ran cold.
He detected a watcher in the trees. A second, a third! Surveillance. He and the Russian code--named Kurwenal--had just been spotted!
This would be a disaster for them both!
Metcalfe wanted to call out to his old friend, to warn him, but then he noticed the glint of a scoped rifle in the late-afternoon sun. It was an ambush!
Terrified, the elderly ambassador spun around and loped as quickly as his arthritic limbs would take him back toward his armored limousine. He had no bodyguard; he never traveled with one. He had only his driver, an unarmed American marine supplied by the embassy.
Suddenly men were running toward him from all around. Black-uniformed men in black paramilitary berets, bearing machine guns. They surrounded him and he began to struggle, but he was no longer a young man, as he had to keep reminding himself. Was this a kidnapping? Was he being taken hostage? He shouted hoarsely to his driver.
The black-clad men escorted Metcalfe to another armored limousine, a Russian ZIL. Frightened, he climbed into the passenger compartment. There,...
About the Author-
Robert Ludlum was the author of 25 thriller novels, including The Bourne Identity, The Bourne Supremacy and The Bourne Ultimatum—the books on which the international hit movies were based—and The Sigma Protocol. He was also the creator of the Covert-One series. Born in New York City, Ludlum received a B.A. from Wesleyan University, and before becoming an author, he was a United States Marine, a theater actor and producer.
Reviews-
September 29, 2003 The author's death three years ago has not prevented St. Martin's from publishing recent material under his name. This WWII-era thriller opens in August 1991 as American ambassador Stephen Metcalfe arrives in Moscow, where Communist hard-liners are attempting to wrest control of Russia from the reform government. The fate of the country will be decided by an official known as the Dirizhor—the Conductor—and Metcalfe is the only man who can convince him to resist the forces of Stalinist darkness. Flash back to 1940, just after the Nazis have signed a nonaggression pact with the Russians. Young playboy/espionage agent Metcalfe is sent by American spymaster "Corky" Corcoran to the U.S.S.R. to enlist an old lover, Lana ("an extraordinary woman, impossibly beautiful, magnetic, passionate") in a scheme that if successful will change the course of history. Hot on Metcalfe's tail is assassin Kleist, a Nazi Secret Service agent who dispatches his enemies by garroting them with the E string of his violin. These principals and a host of others thrust and parry between Paris, Moscow and Berlin before a final confrontation in an enormous, mock factory fashioned of plywood and cleverly painted canvas. The factory, a bombing decoy, provides an apt metaphor for the book: a hollow, flimsy construct unable to hold the weight of a bloated plot and an army of clichéd characters. All of Ludlum's trademarks are in evidence: one-sentence paragraphs, a plentitude of exclamation points, ridiculous dialogue ("Die, you bastard!") and the breathless use of italics to impart excitement, but in the end there are few surprises in this unsatisfying behemoth. Perhaps it's time to let the master rest in peace. (Oct. 28)Forecast: Ludlum's many fans may relish this gift from the grave, but others will find it thin fare, far from the author's best efforts. 750,000 first printing; major ad/promo campaign.
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