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The author of this superb guide was not only a renowned watercolor painter but also a brilliant teacher with an unmatched talent for conveying to his students the techniques and aesthetic philosophy underlying great paintings. Years after becoming award-winning painters themselves, his students still quote his "Whitneyisms" to remind themselves of all that is most important in creating art. This fine guide, the distillation of Edgar Whitney's teaching, is one of the most useful, comprehensive, and popular watercolor painting books every published — almost a cult classic. Starting with the nuts-and-bolts basics — including choice of paper, colors, palette, and brushes — and with exercises to give the beginner experience in using washes on both dry and wet paper, the book presents a full course of watercolor painting. The author gives specific, detailed instructions for creating landscapes and for painting portraits and figures — instructions that come vividly to life in two 16-page full-color sections showing the steps involved in creatiang seven of his own watercolors. Other chapters focus on drawing; the principles and elements of design; and matting, framing, and selling completed works of art. Beautifully designed and illustrated, this invaluable book will be treasured by all watercolorists — from complete beginners to experienced painters looking for ways to improve their own paintings.
The author of this superb guide was not only a renowned watercolor painter but also a brilliant teacher with an unmatched talent for conveying to his students the techniques and aesthetic philosophy underlying great paintings. Years after becoming award-winning painters themselves, his students still quote his "Whitneyisms" to remind themselves of all that is most important in creating art. This fine guide, the distillation of Edgar Whitney's teaching, is one of the most useful, comprehensive, and popular watercolor painting books every published — almost a cult classic. Starting with the nuts-and-bolts basics — including choice of paper, colors, palette, and brushes — and with exercises to give the beginner experience in using washes on both dry and wet paper, the book presents a full course of watercolor painting. The author gives specific, detailed instructions for creating landscapes and for painting portraits and figures — instructions that come vividly to life in two 16-page full-color sections showing the steps involved in creatiang seven of his own watercolors. Other chapters focus on drawing; the principles and elements of design; and matting, framing, and selling completed works of art. Beautifully designed and illustrated, this invaluable book will be treasured by all watercolorists — from complete beginners to experienced painters looking for ways to improve their own paintings.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Table of Contents-
Introduction 1. Tools for Watercolor THE VIRTUES OF WATERCOLOR WATERCOLOR'S NATURE THE TOOLS PAPER AND COLORS STRETCHING PAPER COLOR PRESS PAPER SMOOTH PAPER PALETTE BRUSHES COLOR PALETTE WATER CAN KNIFE OTHER TOOLS CARRYING THE TOOLS 2. The Drills FLAT WASH ON DRY PAPER FLAT WASH ON WET PAPER GRADED WASH ON DRY PAPER GRANULATED WASH "THE "LIFT" WET IN WET DIFFUSIONS COLOR DRILL 3. Painting the Picture THE CREATIVE CONCEPT EMOTIONAL INVOLVEMENT BEING SELECTIVE SUBJECT MATTER SYMBOLS SIGNIFICANT DESIGN SHAPES PATTERS SIX PATTERN SCHEMES CONTRIVING THE DESIGN THE SMALL ROUGH DESIGNING WITH A LARGE BRUSH "SEEING" A VALID DESIGN" DESIGNING WITH THE PENCIL NOTATED SKETCHES QUICKIES CHOOSING THE TECHNIQUE ORGANIZING YOUR PICTURE EXPRESSION IN LOWEST POSSIBLE TERMS RESTRICTING YOUR VALUES SEEING VALUE DIFFERENCES BEST VALUE SEQUENCE "KEYING" VISUAL STRENGTH OF WHITE MIX COLOR ON THE PAPER WATERCOLOR METHODS WETTING THE PAPER KEEPING THE PAPER WET RE-WETTING DRYING DRY BRUSH CORRECTIONS RECLAIMING LOST WHITES USING UNSUCCESSFUL PAINTINGS DEMONSTRATION PAINTINGS 4. Landscape Painting SUN ON PAPER? TREES WOOD INTERIOR BIRCHES SAND DUNES MOONLIGHT THE OCEAN SURF ROCKS SNOW REFLECTIONS IN WATER SKIES CLOUDS FOG OUTDOOR LIGHT GRAY DAYS INTERIORS OTHER LAWS OF THREE DIMENSIONS DESIGN CHARACTER GRADATION FOREGROUNDS RELATED FIGURES EDGES DEMONSTRATION PAINTINGS 5. Figure and Portrait Painting "FRESHNESS, ESSENTIAL" "THE "PUDDLE" METHOD" DRY METHOD A DRY METHOD B DRY METHOD C DRY METHOD D WET METHOD A WET METHOD B BACKGROUNDS SEEING YOUR MODEL USING THE LAWS OF LIGHT PAINTING MEANS WORK 6. Principles of Design UNITY CONFLICT DOMINANCE REPETITION ALTERNATION BALANCE HARMONY GRADATION A NECESSARY TOOL EIGHT WORDS: DESIGN PRINCIPLES FIFTEEN WORDS: PRINCIPLES AND ELEMENTS OF DESIGN PAINTINGS IN COLOR 7. Elements of Design LINE VALUE COLOR HUE VALUE INTENSITY MONOCHROMATIC HARMONY COMPLEMENTARY HARMONY ANALOGOUS HARMONY SPLIT COMPLEMENTARY TRIADIC HARMONY TEXTURE SHAPE SIZE DIRECTION USING THESE ELEMENTS BOTH ARTIST AND CRITIC 8. Drawing DRAWING IS THE FOUNDATION UNDERSTANDING THE FIGURE USING PRINCIPLES DRAWING EVERYWHERE VARY YOUR DRAWINGS VARY YOUR TOOLS SEEING VOLUME VARY THE LINES DRAWING WITH ALL THE SENSES CONTOUR DRAWING GESTURE DRAWING THE EXPERIENCE STUDY THE LIGHTING CAST SHADOWS DRAPERY SOLID FORMS SHADE AND SHADOW PERSPECTIVE LOCAL COLOR VALUE FRESHNESS STRUCTURE DRAUGHTSMAN'S MISCELLANY BE BOLD DRAW CONTINUOUSLY 9. "Matting, Framing, and Selling" MATTING FRAMING PRICING 10. A Craft Philosophy and Art Today YOUR EMOTIONS A CRAFT PHILOSOPHY PAINTING TODAY WHAT IS ART? 11. Color Demonstrations Notes Conclusion Epilogue Bibliography Index
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