Chapter One
No matter who you are, no matter where you live, and no matter how many people are chasing you, what you don't read is often as important as what you do read. For instance, if you are walking in the mountains, and you don't read the sign that says "Beware of Cliff" because you are busy reading a joke book instead, you may suddenly find yourself walking on air rather than on a sturdy bed of rocks. If you are baking a pie for your friends, and you read an article entitled "How to Build a Chair" instead of a cookbook, your pie will probably end up tasting like wood and nails instead of like crust and fruity filling. And if you insist on reading this book instead of something more cheerful, you will most certainly find yourself moaning in despair instead of wriggling in delight, so if you have any sense at all you will put this book down and pick up another one. I know of a book, for instance, called The Littlest Elf, which tells the story of a teensy-weensy little man who scurries around Fairyland having all sorts of adorable adventures, and you can see at once that you should probably read The Littlest Elf and wriggle over the lovely things that happened to this imaginary creature in a made-up place, instead of reading this book and moaning over the terrible things that happened to the three Baudelaire orphans in the village where I am now typing these very words. The misery, woe, and treachery contained in the pages of this book are so dreadful that it is important that you don't read any more of it than you already have.
The Baudelaire orphans, at the time this story begins, were certainly wishing that they weren't reading the newspaper that was in front of their eyes. A newspaper, as I'm sure you know, is a collection of supposedly true stories written down by writers who either saw them happen or talked to people who did. These writers are called journalists, and like telephone operators, butchers, ballerinas, and people who clean up after horses, journalists can sometimes make mistakes. This was certainly the case with the front page of the morning edition of The Daily Punctilio, which the Baudelaire children were reading in the office of Mr. Poe. "twins captured by count omar," the headline read, and the three siblings looked at one another in amazement over the mistakes that The Daily Punctilio's journalists had made.
"‘Duncan and Isadora Quagmire,'" Violet read out loud, "‘twin children who are the only known surviving members of the Quagmire family, have been kidnapped by the notorious Count Omar. Omar is wanted by the police for a variety of dreadful crimes, and is easily recognized by his one long eyebrow, and the tattoo of an eye on his left ankle. Omar has also kidnapped Esme Squalor, the city's sixth most important financial advisor, for reasons unknown.' Ugh!" The word "Ugh!" was not in the newspaper, of course, but was something Violet uttered herself as a way of saying she was too disgusted to read any further. "If I invented something as sloppily as this newspaper writes its stories," she said, "it would fall apart immediately." Violet, who at fourteen was the eldest Baudelaire child, was an excellent inventor, and spent a great deal of time with her hair tied up in a ribbon to keep it out of her eyes as she thought of new mechanical devices.
"And if I read books as sloppily," Klaus said, "I wouldn't remember one single fact." Klaus, the middle Baudelaire, had read more books than just about anyone his own age, which was almost thirteen. At many crucial moments, his sisters had relied on him to remember a helpful fact from a book he had read years before.
"Krechin!" Sunny said. Sunny, the youngest Baudelaire, was a baby scarcely larger than a...